Poetry creates spaces where love and words live. Concrete the abstract.It weaves threads, more or less uncertain, making almost untouchable desires possible until they materialize, and sometimes embody them. Iona Gruia (Bucharest, ) in The light that lights up the body manages to convert spaces into life, through the depth of the body. The professor at the University of Granada, after The Sun in the Fruit or Carrusel, creates vital spaces in her third lyrical installment around six sections and an epilogue. Despite the different separations, Gruia creates a common network of meaning around artistic spaces and all of her passion.
Thus, these are not borders but rather threads that are crossed by sensitivity until a unitary whole is skilfully woven through the use of everyday language. It is Iona Gruia's poetic discourse typical of such vitalistic writing, as intense as it is desirous, since on Saudi Arabia Mobile Number List the horizon of her poems they illuminate a reflection, an image or a memory. The reader will not miss the truth, because in each verse we find it threaded and, in the twist, the reading also contributes a poetic expression that is rooted in our tradition in an authentic and truthful way. The volume covers issues of love, identity, family and poetry.
Cover The light that lights up the body The paintings of the fifties by the American Hooper, a sign of contemporary beauty, show a poetic subject in female characters who have a manifest desire. Short poems developed in stanzas with a hendecasyllabic rhythm, where stichomytia predominates over enjambment. They draw a lexical network on the reflective gaze of becoming one of them, until they place themselves in her desires, despite the shadows cast by loneliness: “this woman is me, she is waiting for me,” she will say in “Hotel Window.” ”. They highlight their ability to feel, beyond contemplation, as read in “Morning on Cape Cod”: “The vision of the forest is not enough, / I would like to be the forest.